Ekphrastic Monday (to the tune of "Manic Monday" by the Bangles)
It's just another ekphrastic Monday
I wish it was Tuesday
'Cause that's my haiku day
My I-don't-have-to-write-a-poem-about-a-work-of-art day
It's just another ekphrastic Monday
Ekphrastic poetry is a "conversation between two pieces of art. The writer interprets a work of visual art and then creates a narrative in verse form that represents his or her reaction to that painting, photograph, sculpture, or other artistic creation" (firkinfiction.com).
Today's poem is "Edward Hopper and the House by the Railroad" by Edward Hirsch. Check out the 1925 painting, then read this incredible poem.
 Out here in the exact middle of the day,
         This strange, gawky house has the expression
         Of someone being stared at, someone holding
         His breath underwater, hushed and expectant;       
 This house is ashamed of itself, ashamed
      Of its fantastic mansard rooftop
      And its pseudo-Gothic porch, ashamed
      of its shoulders and large, awkward hands.       
 But the man behind the easel is relentless.
      He is as brutal as sunlight, and believes
      The house must have done something horrible
      To the people who once lived here       
 Because now it is so desperately empty,
      It must have done something to the sky
      Because the sky, too, is utterly vacant
      And devoid of meaning. There are no       
 Trees or shrubs anywhere--the house
      Must have done something against the earth.
      All that is present is a single pair of tracks
      Straightening into the distance. No trains pass.       
 Now the stranger returns to this place daily
      Until the house begins to suspect
      That the man, too, is desolate, desolate
      And even ashamed. Soon the house starts       
 To stare frankly at the man. And somehow
      The empty white canvas slowly takes on
      The expression of someone who is unnerved,
      Someone holding his breath underwater.       
 And then one day the man simply disappears.
      He is a last afternoon shadow moving
      Across the tracks, making its way
      Through the vast, darkening fields.       
 This man will paint other abandoned mansions,
      And faded cafeteria windows, and poorly lettered
      Storefronts on the edges of small towns.
      Always they will have this same expression,       
 The utterly naked look of someone
      Being stared at, someone American and gawky.
      Someone who is about to be left alone
      Again, and can no longer stand it.       

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